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Lives of the Monster Dogs, by Kirsten Bakis
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A postmodern Mary Shelley, taking the parable of Frankenstein's monster several giant steps farther, might have written this fable of a novel about a tragic race of monster dogs--in this case, genetically and biomechanically engineered dogs (of several major breeds). Created by a German mad scientist in the 19th century, the monster dogs possess human intelligence, speak human language, have prosthetic humanlike hands and walk upright on hind legs. The dogs' descendants arrive in New York City in the year 2008, still acting like Victorian-era aristocrats. Most important, the monster dogs suffer humanlike frailties and, ultimately, real suffering more serious and affecting than the subject matter might at first glance suggest.
- Sales Rank: #749904 in Books
- Brand: Grand Central Publishing
- Published on: 1998-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .75" w x 5.25" l, .65 pounds
- Binding: Paperback
- 304 pages
- Great product!
Amazon.com Review
A postmodern Mary Shelley, taking the parable of Frankenstein's monster several giant steps farther, might have written this fable of a novel about a tragic race of monster dogs--in this case, genetically and biomechanically engineered dogs (of several major breeds). Created by a German mad scientist in the 19th century, the monster dogs possess human intelligence, speak human language, have prosthetic humanlike hands and walk upright on hind legs. The dogs' descendants arrive in New York City in the year 2008, still acting like Victorian-era aristocrats. Most important, the monster dogs suffer humanlike frailties and, ultimately, real suffering more serious and affecting than the subject matter might at first glance suggest.
From Publishers Weekly
Cosmopolitan Manhattan of 2008 embraces a new breed of immigrant in this weird, fanciful tale of surgically enhanced, talking, bionic canines out on the town as they search for their history and place in the world. Conceived by 19th-century Prussian mad scientist Augustus Rank as an army of superior, fiercely loyal dog soldiers, the monster Pinschers, Rottweilers, German Shepherds, Dobermans and other sturdy breeds became fully empowered only many years after his death. Rank's followers, secluded in a remote Canadian village, continued his work, ultimately developing a race of super-intelligent, longer-living dogs trained from birth to use surgically attached mechanical hands, speak fluent German via a mechanical voice box, walk erect and dress in the elegant human fashions of the 1880s. NYU student Cleo Pira develops friendships with a few of the dogs in New York and becomes their liaison to the human press, writing insider articles for Vanity Fair and other chic magazines. Cleo narrates the novel, incorporating excerpts from the papers of Ludwig Von Sacher, the dogs' historian. First-novelist Bakis holds the reader in thrall for much of her imaginative tale, but, disappointingly, the dogs never emerge as strong characters. Though the reader gains some understanding of Ludwig through his writing, Cleo's conversations with the dogs are uniformly abrupt and anti-climactic. Instead, Bakis offers more of a dream vision that, ultimately, might be all in Cleo's head. Fortunately, that vision is engaging in its own right and, through Bakis's storytelling skill, makes for an audacious, intriguing and ultimately haunting debut.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
A clever, compelling Frankenstein story for the millennium, Bakis's first novel draws the reader into an improbable near-future phenomenon and makes it beguilingly real. In 1897 German scientist Augustus Rank flees with his followers to a remote Canadian location, where they labor in secret toward Rank's dream of engineering an advanced race of soldier dogs. A century later, the dogs are perfected?natural but hyperintelligent canines fitted with voice-boxes and prosthetic hands, trained in human pursuits and standing erect. They revolt, destroy their makers, and, dressed in 19th-century formal wear, find their way to 21st-century New York City. This book is the story of New York's experience of these now-peaceful marvels, of their history and misleading glamor, and, particularly, of the relationship between human narrator Cleo Pira and the wise and troubled canine historian, Ludwig von Sacher. This classic monster story, tragic and philosophical, is simply marvelous. A poised and accomplished debut; highly recommended.?Janet Ingraham, Worthington P.L., Ohio
Copyright 1997 Reed Business Information, Inc.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Misplaced Focus Undoes a Promising Story
By Atli Hafsteinsson
Lives of the Monster Dogs is essentially two books. Ludwig von Sacher's story speaks of the past, of assorted documents and blanks that even the desperate German Shepherd and historian can't fill in. Cleo Pira's story is that of a young, aimless woman who becomes almost subconsciously involved in the world of this race of monster dogs that literally appear right out of nowhere in modern-day New York. These two stories interweave throughout this interesting, poetic novel.
Meeting in the present day New York (2008, when apparently laser guns were supposed to have become pretty common), Cleo and Ludwig meet and form an odd yet somehow enduring friendship. Cleo finds herself caught up in the sad story of these dogs, created by a mad German scientist named Augustus Rank in a hidden town in Canada for the intention of combat. But because the process took more than a century, he died long before the dogs were perfected and as such they have no purpose. Having rebelled against their masters, they roamed the Canadian wilderness until they decided to enter New York. Though they are well-received, the dogs' story is becoming ever shorter, and Cleo is taken for the final ride.
Bakis has a real talent at presenting a story in an interesting way. In this book alone we experience many different ways of looking at things - matter-of-factly, dream-like or in some unspeakable void between the two. Which, oddly, is where we hit the book's principle problem - the plot is drowned by the very poetic and colourful prose. Where we hit the present day, events are explained matter-of-factly, yet feelings and states-of-mind draw the reader in. The reader hardly believes what's happening, because it doesn't feel as though the book tries to.
It's very easy for me to lash out against this novel for its obvious flaws and yet equally easy for me to go into full defence and to not hear anything against it. This story is interesting, has a lot of depth to it, but half of it is in the hands of a character more obsessed by her own problems than with the story the reader is waiting to hear. There is a lot of dialogue that serves no real purpose. When something does happen, it's easy to miss because the reader is immersed in the almost psychological prose. This makes the book very interesting but also very frustrating.
My favourite parts of the book are in the hands of Ludwig. First, the diary entries of Mops Hacker, who invented a particular Roman-numeral diary system despite his grammar not being the best. Yet even that pales in comparison to a section in the closing segments of the book, in letters Ludwig sends to Cleo. These letters are indescribable ponderings about existence and the undercurrents of life. As I read these, I can't help but be amazed at Bakis's talent at drawing out unforgettable imagery. It's just a shame that the rest of the book, with the plot and the tragic end of the story of the dogs, isn't done as much justice. Characters that emit a lot of warmth such as Luitpold leave me with big regret that we don't get to delve deeper into them, because we barely do. I never really perceive the bond these characters are supposed to share. A lot of things happen around Cleo, and the reader even picks it up, yet something about the way we see it through her eyes makes it a frustrating ride - like being on a roller coaster where the dives are in all the wrong places.
Make no mistake, Lives of the Monster Dogs is an unforgettable book. Just the cover - that of Luitpold, drawn by Bakis herself - drew me in when I glanced it at my local library. The story is sad, enthralling and sometimes grotesque. What I am left with upon finishing the book is that I have only touched the surface; that I was watching a movie that I somehow forgot to pay attention to. Put more bluntly, I feel a sense of anticlimax. Lives of the Monster Dogs is more a piece of art than a novel.
1 of 1 people found the following review helpful.
Beautifully written, great premise, but disappointing.
By A Customer
If this book had a better plot, I would have given it a ten. What an amazing idea for a novel, and so compellingly executed for the first three-quarters of the book. The author's writing style, creativity, and competence are remarkable. The opera staged by the dogs to illustrate their history was astoundingly clever, almost worth the price of the book by itself. But I should have stopped reading after that. By the end, the story had lost most of its momentum and seemed ultimately pointless. In this regard it reminded me of The Secret History (a bestseller several years ago, by Donna Tartt, also a young first-time novelist). I hope Bakis writes more novels; if she does, I suspect her next one will be sensational
0 of 0 people found the following review helpful.
A highly original debut novel
By D. C. Cannon
For a first novel, Kirsten Bakis proves to be an assured craftsman. This is especially true considering how original her concept is. This is a hard novel to classify - it is not just a horror novel, or a science fiction novel, or an allegory. It is all those things and more, creating a truly unique dreamlike vision. The best parts of her novel is how well Bakis leads us into her world and how convincing she makes her talking dogs think and act. The opera libretto and the politics behind the dogs are quite good. The weakest part is the finale, where too much happens too fast (the fate of her friend Ludwig, the castle party, etc.) Still, this is a highly readable, thought provoking debut effort.
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