PDF Ebook The Hours of the Virgin (The Amos Walker Series #14), by Loren D. Estleman
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Detroit is no place for virgins, or gentlemen. Walker, who is neither, follows the 50-year-old trail of a stolen manuscript across the bleak landscape of a dead city, coming face to face with the man who murdered his partner 20 years ago.
- Sales Rank: #2793308 in Books
- Published on: 2000-08-01
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .84" w x 4.25" l,
- Binding: Mass Market Paperback
- 336 pages
From Publishers Weekly
Amos Walker, Detroit PI, revisits the past in the 13th entry in an estimable hard-boiled series (The Witchfinder, etc.). In the echoing, nearly empty galleries of the Detroit Institute of Arts, Walker agrees to accompany a curator on a private mission to recover a recently stolen medieval illuminated manuscript, the Hours of the title. But in the rundown skin-flick theater where the transaction is to take place, Walker is distracted by a young woman and then shot at. The curator, his package, the woman and shooter disappear. The woman turns out to be the young wife ("she was pushing twenty but not hard enough to dent it") of the theater owner, a notorious and wealthy porn kingAand rare book collectorAconfined to a wheelchair. Also involved in the shooting is Earl North, the man who killed Walker's beloved first boss, Dale Leopold, 20 years before, a crime for which North went free. Vivid memories of Leopold combine with the debilitating effects of the flu and midwinter in Motor City to keep Walker on a bitter edge until, the flu broken and a connection between crimes old and new made, readers are led to the fitting conclusion. Like all Estleman offerings, this one comes with extraordinarily observant narration, intelligent dialogue, memorable charactersAand style to spare. (Aug.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Estleman's redoubtable private eye Amos Walker returns in this tale of a lost medieval illuminated manuscript that he is hired to recover. Very much in the Sam Spade-Philip Marlowe mold, Amos walks the mean streets of Detroit, snarling and sneering but occasionally revealing his heart of gold. As is true of many of Estleman's books (Edsel), the plot is a bit convoluted and somewhat implausible, but he leaves no loose ends, and the description of Amos's closure in the death of his partner 20 years before is downright touching. The novel is replete with odd and curious similes, which when heard tend to send the listener off into a bemused line of thought. And given the hard-boiled nature of all the characters, the missing commodity might more reasonably have been a kilo of heroin or the loot from some jewel heist; a genteel artifact like a manuscript seems unlikely to have engaged these folks. The stellar performance of John Kenneth makes one wonder if the range of voices can be too goodAthe listener has to adapt constantly to wildly differing and wonderfully realized accents and inflections, and the relentless tough-guy reading of Amos sometimes sacrifices the sense of the words. But it's a good yarn, appropriately read, sure to be popular with Estleman fans and others who enjoy this genre.AHarriet Edwards, East Meadow P.L., NY
Copyright 2000 Reed Business Information, Inc.
From Booklist
Art consultant Harold Boyette discovers that nine pages of an ancient manuscript have been stolen from his studio. The thief wants $100,000 for their return. Boyette is willing to pay the ransom--from his own pocket--but wants backup. He hires private investigator Amos Walker to handle the exchange, which takes place in a porno movie house. Shots are fired, and Boyette and the cash disappear. Walker's investigation takes him deep into the Motor City's art world as well as its pornography industry. Walker is not sure which is more ruthless; both are definitely a threat to his continued existence. Walker is the classic private eye: he smokes too much, drinks too much, lives inside himself too much, and is too cynical to ever believe in love. The cliched surface hides a consistently complex character who reveals subtle growth in each series installment, and Estleman's luminescent prose brings life to Detroit's mean streets. Wes Lukowsky
Most helpful customer reviews
0 of 0 people found the following review helpful.
Wild ride - lots of double back plot twists
By G.R. Williamson
Walker, with his usual esoterical slant on the under belly of Detroit, fights a bad cold while trying to figure to figure out who is who in an ever changing cast of characters. A good read.
9 of 9 people found the following review helpful.
A good P.I. Story
By A Customer
Harold Boyette, an antique book expert for the Detroit Institute of Arts, hires private investigator Amos Walker to recover a stolen segment of the invaluable Plymouth Book of Hours. Harold demands secrecy from Amos because he fears that he won't regain the stolen item if the loss becomes public. Amos agrees to remain silent though he knew about the robbery from hearing about it on the streets. On Christmas Eve, Harold left the valuable pages inside a locked cabinet. By the next morning, someone stole the nine-page document. The criminal returned one page accompanied by a ransom demand for one-hundred thousand dollars with the swap to occur in a local porno theater.
In the theater, Harold waits for the appointment in the front row while Amos sits a few rows behind him. All hell breaks loose around Amos. By the time things calm down, Harold and the cash are missing. The case already was personal due to the identify of the prime suspect, but now Amos' honor requires he continue with inquiries that will lead him into the ugly side of professional world of art.
Though his thirteenth tale, Amos Walker remains one of the more intelligent and vigorous private detective series on the market today. Amos continues to excel as a throwback to the hard boiled detectives of the Golden Age, who valued honor above all else. The support cast augments the entertaining story line of THE HOURS OF THE VIRGIN by bringing Detroit alive through their eccentric personalities. The story line never eases off the accelerator as Loren D. Estleman continues to pay homage to the Motor City with this pleasurable novel that will bring new fans seeking his old novels.
Harriet Klausner
2 of 2 people found the following review helpful.
Estleman's one of crime fiction's best writers
By Author Bill Peschel
One wonders what the city fathers of Detroit think about Loren D. Estleman. His vision of the city, as seen through the jaundiced eye of Amos Walker, private investigator, is nearly uniformly morose, a city on the greased skids to palookaville, a one-hit wonder whose 15 minutes has been over for an hour and a half.
But like the city, the Motor City investigator keeps on trucking in the 13th novel of this highly praised series. Walker agrees to help a curator at the Detroit Institute of Arts to help recover a recently stolen medieval illuminated manuscript. But the meeting at a rundown porn theater is interrupted when Walker is distractedby a young woman, then shot at. When the smoke clears, the woman, the manuscript and the curator have all disappeared.
While tracking down the leads, Walker is also following a trail into his past. Twenty years ago, Dale Leopard, his boss and mentor, was found dead while on a case, and Earl North, the man who beat the charge, has reappeared, seeking the manuscript. Is there a connection between the murder and the Hours? Did North really kill Leopard?
Estleman writes like an aria; his prose sings with metaphors and observations that strike just the right note. He's been around long enough so that comparing him to Dashielle Hammett and Raymond Chandler isn't an original thought, but it's true and it'll have to do. He gives Detroit its unique identity of a crumbling and crooked but proud city trying to find itself.
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