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Wages of Sin, by Penelope Williamson
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The body of a local priest is discovered in an abandoned New Orleans warehouse. Damon Rourke, the hard-nosed detective introduced in "Mortal Sins," attempts to catch a killer even as a shocking mystery is revealed.
- Sales Rank: #2864787 in Books
- Published on: 2004-02-01
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x 1.11" w x 5.00" l, 1.18 pounds
- Binding: Mass Market Paperback
- 496 pages
- ISBN13: 9780446613835
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Det. Daman Rourke is on the case of a murdered priest in this rousing thriller by Williamson (Mortal Sins) set in New Orleans in 1927. Rourke and his partner, Fiorello, have their hands full after a young hood on the run from the mob discovers the "crucified" corpse of Father Patrick Walsh, a popular clergyman who was disliked by Church hierarchy for his flamboyant preaching, which borrowed elements from evangelical Protestant services. When the coroner delivers the news that Father Walsh was actually female, the revelation, and the fear of its potential impact if leaked, fuels Rourke's determination to find the killer and close the case quietly. It seems Father Walsh developed an underground protection network for abused wives that angered Father Ghilotti, a fellow priest. To complicate matters, Rourke's brother Paul is also a priest at the rectory, and he too has something to hide: an affair with a married woman. Parallel to the parish mayhem is Rourke's rekindled romance with glamorous New Orleans-born actress Remy Lelourie, who's been receiving threats written in blood from a stalker who calls himself Romeo. When teenage girls in Remy's fan club turn up murdered, Rourke puts his investigative skills into high gear. Williamson entwines the two murder plots and speeds toward a surprising, exhilarating conclusion. Though much of the vernacular is unabashedly contemporary, she goes far in evoking the giddy atmosphere of Jazz Age New Orleans as well as its dark underside, rife with wanton violence, prejudice and racial tension.
Copyright 2003 Reed Business Information, Inc.
From Library Journal
Mortal Sins' Detective Damon Rourke investigates the crucifixion of a priest who turns out to be a woman.
Copyright 2002 Reed Business Information, Inc.
Review
"This is rich, wonderful reading sure to please any fan of good old-fashioned storytelling. Strongly recommended."
"A powerful story--sexy, dangerous, beautifully written."
..".evocative, moody, and sensuous tale of lust, murder, mayhem, and betrayal...as smooth as a mint julep, as rhythmic as the blues..."
Most helpful customer reviews
5 of 5 people found the following review helpful.
I gave it "5 Start" but.....
By Linda Hayes-Lies
I love Penelopy Williamsons writing style and her stories are exquisite.
Her characters never disappoint.
I will say, my only disappoints in this book were, one, that I would of
either liked a "ending" or at least (even better) a third installment of
this series.
For days after I finished, I searched to see if there was a sequel, or at
least one in works....I don't like endings that don't "end" the story.
If you have not problem with that, I urge you to read Mortal Sins followed
by Wages of Sin...exquisite stories.
I will continue to purchase her work, and re read the previous novels of hers
I have enjoyed so much...i.e. The Outside and The Passions of Emma, among
others.
7 of 7 people found the following review helpful.
delightful early twentieth century who-done-it
By A Customer
In 1927, there are few events, including murder, that would shock the residents of New Orleans. Even the recent deaths of teenage fans of silent screen queen Remy LeLourie hardly dent the demeanor of the citizens. However, the crucifix torture killing of Father Patrick Walsh, perhaps the most popular priest in the city, stuns even the most decadent individual.
Homicide Detective Damon Rourke leads the inquiries into the murder of Father Walsh. He believes a link exists between that homicide and the rash of female teen deaths who cult worship his lover Remy. He also feels that a connection exists to another crime that has divided the city. He never sleeps as he searches for the thread that will tie these seemingly three different situations together and lead to the culprit(s). Damon finds clue after clue, but the clock ticks with little progress.
WAGES OF SIN is a superb historical police procedural that brings alive the 1920s in New Orleans. The story line is no stop action as the workaholic Damon ignores his lover, his daughter, and his health to find the blood line that runs through each case like beads on a necklace. Read very carefully this tale as Penelope Williamson reveals all the clues. However, if not closely followed, the final twist will surprise the audience who will realize that the author hid nothing yet succeeded with a delightful sleight of the hand early twentieth century who-done-it.
Harriet Klausner
7 of 8 people found the following review helpful.
A lush, noir-like thriller that echoes Hammett and Chandler
By Bookreporter
The year: 1927
The place: New Orleans
The crimes:
- Father Patrick Walsh is found crucified to death in an empty macaroni factory. Several young girls, all friends, disappear only to then turn up raped, tortured and dead.
- A young black teenager is found guilty of two of the girls' murders and is executed in Louisiana's brand new electric chair.
- Someone with access to every part of her life is stalking Remy Lelourie, a most popular and beautiful silent film star who is shooting a picture in New Orleans, her hometown. Her lover, homicide detective Damon Rourke, is determined to solve the crimes that ultimately force him to confront his own personal demons.
WAGES OF SIN by Penelope Williamson (MORTAL SIN, THE OUTSIDER) is a lush, noir-like thriller in the style of Hammett and Chandler. It captures the flamboyant period made famous by flappers and the Charleston. The tale is told in stark prose tempered with "down home" southern inflections. Readers will find themselves almost able to feel, see, smell and hear everything from the stench of the mud flats to the glitter of Bourbon Street; from the noisy, crowded speakeasies to the quiet mansions of the moneyed folks; from the aroma of sizzling catfish to visualizing the sun's brightness as it shines off the yellow patina of the Stutz Bearcat that Detective Rourke drives around town.
Williamson spares no detail as she presents the events and characters early in the narrative. This more than sets the stage for the information that follows. And, as readers move into the actual investigations, where all of the puzzle pieces are slowly revealed, the entire picture soon falls into a sharply carved, cohesive whole. While we are given clues and red herrings, in the finest tradition of suspense/mystery novels, few will guess who is responsible for the horrible crimes, so carefully limned is the mystery tale tightly woven into the plot.
Most often, genre writers present plot-driven books, especially those who write mystery novels. In WAGES OF SIN, however, Penelope Williamson adds a deeper dimension to an already challenging read, because she offers a glimpse into the feelings and the minds of her characters. A perfect example of her riff into persona is how she portrays the tortured detective Rourke as he relieves his tension: "�Rourke lifted the sax to his mouth, licked his lips, took a tight breath, and then he hit a note that would have left an impression on bone � [w] hat he played on this night was dark music, and deep, like the ocean, and you felt it in your liver as well as your heart. You heard things in it you'd never heard before, things you weren't sure you wanted to go near." This kind of prose is indicative of Williamson's style: it is literary, full of emotion, deeply insightful and as sharp as a scalpel.
This book is full of 'southern gothic' elements, rich in patois and the language so common to hard-boiled detectives of the 1920s. The plot is set up like a series of panels, each part of a whole that begs to be put together and the plot twists are truly inspired. This book is a winner, rich in nuance and overflowing with every element necessary for a terrific, suspenseful read.
--- Reviewed by Barbara Lipkien Gershenbaum
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