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The Children of Willesden Lane: Beyond the Kindertransport: A Memoir of Music, Love, and Survival, by Mona Golabek, Lee Cohen
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Based on the true story of her mother, Mona Golabek describes the inspirational story of Lisa Jura Golabek's escape from Nazi-controlled Austria to England on the famed Kindertransport. Jewish musical prodigy Lisa Jura has a wonderful life in Vienna. But when the Nazis start closing in on the city, life changes irreversibly. Although he has three daughters, Lisa's father is only able to secure one berth on the Kindertransport. The family decides to send Lisa to London so that she may pursue her dreams of a career as a concert pianist. Separated from her beloved family, Lisa bravely endures the trip and a disastrous posting outside London before finding her way to the Willesden Lane Orphanage.It is in this orphanage that Lisa's story truly comes to life. Her music inspires the other orphanage children, and they, in turn, cheer her on in her efforts to make good on her promise to her family to realize her musical potential. Through hard work and sheer pluck, Lisa wins a scholarship to study piano at the Royal Academy. As she supports herself and studies, she makes a new life for herself and dreams of reconnecting with the family she was forced to leave behind. The resulting tale delivers a message of the power of music to uplift the human spirit and to grant the individual soul endurance, patience, and peace.
- Sales Rank: #185614 in Books
- Brand: Golabek, Mona/ Cohen, Lee
- Published on: 2003-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .75" w x 5.50" l, .56 pounds
- Binding: Paperback
- 288 pages
From Publishers Weekly
One of 10,000 Jewish children sent to England by fearful parents at the dawn of WWII, aspiring pianist Lisa Jura was 14 when her family put her on a Kindertransport train in Vienna. In this alternately heart-wrenching and uplifting story, Jura's daughter, Golabek, a pianist, and writer Cohen trace the six years Jura spent in London, where she found surrogate families in the 31 other young refugees at the Willesden Lane hostel, and in the working-class British women at the East End garment factory that employed her. The authors beautifully capture Jura's passion for music and her determination to realize her dream of becoming a concert pianist. Her quest to win a scholarship to the Royal Academy of Music seems to inject hope into everyone with whom she comes into contact: the hostel owner provides her with a piano and practice time, her housemates band together to drill her on technique and theory, and a co-worker makes her an audition outfit. Yet this is no Babes in Arms. Jura's struggle to hold herself together on the trip to England and as she makes a life for herself without the guidance of her beloved mother is as bleak as her musical successes are joyful. And the depictions of V-Day are especially vivid: rather than celebrate with the masses, Jura retreats to the hostel. The war may be over, but for her and her fellow young refugees waiting to learn the fate of their families, the tragedy will continue.
Copyright 2002 Cahners Business Information, Inc.
Review
"A deeply moving and heartfelt tale....Compelling."
About the Author
Mona Golabek is an internationally acclaimed concert pianist, the host of the popular syndicated classical music radio show, "The Romantic Hours," and Grammy-nominated recording artist. With her sister, Rene Golabek Kaye, she has performed at the Hollywood Bowl, Kennedy Center, and London's Festival Hall. Ms. Golabek lives in Los Angeles. Lee Cohen is a journalist, screenwriter, and poet. He lives in Los Angeles.
Most helpful customer reviews
38 of 40 people found the following review helpful.
a grand & hopefilled read!
By Rebecca Brown
This is a Heroine's journey during time of war. From Vienna, the city of music, to a little house outside London, where Lisa Jura will find safety & a piano where she can continue her mother's legacy.
It is the memories of the descent into the hell that Adolph Hitler visited upon the people of Europe, upon the life of one girl with a huge talent & a family who sent her away that she might survive.
It is memories of danger & death, as well as hope & the goodness in people's hearts, & how a dream made a girl brave & true to her heritage.
THE CHILDREN OF WILLESDEN LANE is passionate, engaging & charming, destined to find its place beside THE DIARY OF ANNE FRANK.
25 of 26 people found the following review helpful.
Simply Profound
By Doug Huberman
I have never before been reduced to tears by a book.... During the hours I spent reading The Children of Willesden Lane I experienced tears of joy, tears of pain, tears for the human condition and finally the soul cleansing tears of a spirit renewed. I literally cried my way through the last 140 pages of The Children of Willesden Lane while sitting in seat 6C of a nonstop flight from Los Angeles to Houston. Not a simple moistening of the eyes, but a steady stream of tears pouring down my cheeks as I experienced a completely unexpected range of intense emotion. I have read hundreds of nonfiction books and never, absolutely never, have I experienced anything even vaguely akin to this extraordinarily down-to-earth book.
The first third of the book feels like getting reacquainted with an old friend. Despite the tragic backdrop of the era, the themes and the setting feel warm and familiar. The character development is just detailed enough to evoke the distinct identities of the major characters without setting them in stone. Instead of nailing down every conceivable detail, Mona Golabek leaves plenty of room for the reader to personalize the lead characters. As I dug deeper and deeper into the storyline, it was uncanny how I began to identify more and more closely with the central characters. It is almost as if the book was crafted to ensure that Lisa, Aaron, Johnny, Gina, Gunter, Hans, Mr. Hardesty, Mrs. Canfield and Mrs. McRae would gradually assume the characteristics of the people who have made profound differences in my life. It is worthy to note that none of the characters are completely idealized. Whether it is cowardice, indifference, vanity, petty jealously, self-pity or the emotional disconnect that many soldiers suffer, the characters in The Children of Willesden are presented "warts and all."
Curiously, three of the book's most powerful subtexts are so deeply rooted in the story line that I am not sure that either the heroine (in her telling) or the authors (in their writing) intended them to be integral parts of the story. The first is "trust your instincts... seize the moment before it passes you by." Although 10,000 children were saved by the Kindertransport, how many eventual Holocaust victims hesitated, convincing themselves that they needed just one more piece of evidence, and then one more and then yet another, until it was too late? It is all too easy for us to convince ourselves that the opportunities we have today will still be there tomorrow. This, whether it is a matter of life and death or a matter of life and love. This observation is in no way a condemnation of the victims of the Holocaust or any other human tragedy. It is merely an acknowledgment of a theme that is repeated in any accurate accounting of human behavior. How else do you explain the half-empty lifeboats from the Titanic? The second powerful subtext has to do with the nature of beauty and accomplishment. After reading the entire text ask yourself a series of simple questions. As a child, was Lisa Juras more beautiful when she was wearing her Sunday best with her hat tilted just so or when she was tired, dirty and hungry yet somehow found the courage to take responsibility for the contents of the basket on the train? As a teenager, was Lisa Juras more beautiful in her fine red dress playing a grand piano or when she was pounding away at the upright piano wearing factory worker garb with bombs falling around her. While Lisa Juras undoubtedly valued both her musical talent and her physical attractiveness, can it truly be said that either were the true sources of her beauty or accomplishment? No, Lisa Juras was never more beautiful than she was courageous and her music was never more accomplished than when its intensity blotted out the onslaught of the London Blitz.... A time during which the piano wasn't even properly tuned! If this be true, Wigmore Hall is merely icing on a cake that was six long years in the baking. The third and no less important subtext is, "True love is that which moves you." Love is not merely a deeply rooted or intense emotion. Love is feelings transformed into action. It was the love of a father for a daughter that gave Abraham Juras the strength to put Lisa on a train headed for a country and people he knew not. It was the love between a daughter and a mother that gave Lisa the strength to pound out the Grieg concerto while bombs were falling around her and later when her fingers were nearly frozen and her body was racked by coughing. And last, we are led to believe in the epilogue that it is the love of a man for a woman that "moved" Michel Golabek to leave Europe for a life in the United States with his beloved Lisa.
It may seem a contradiction, but the strength of this story is its subtlety. Nothing about it feels staged, forced or contrived. There are no torrid love scenes. There are no gruesome accounts of the Holocaust. There are not even detailed accounts of the deaths of some the book's lead characters. Instead, The Children of Willesden Lane is as understated, natural, tragic and heroic as life itself. The Children of Willesden Lane is a remarkable invitation to become part of something intensely personal, a family legacy that spans two continents, four generations and, most importantly, continues to live on today through the descendants of both Lisa Juras and all those that made the Kindertransport a life saving reality.
If there is such a thing as "profound simplicity," Mona Golabek has defined it for us.
22 of 23 people found the following review helpful.
Remarkable!
By Paul G
The Children of Willesden Lane is a remarkable, transporting story, at once upllifting and heartbreaking. I'm a better person for reading it. The authors' flawless narrative style facilitates a "can't put the book down" memoir read. After grabbing their readers' hearts, Golabek and Cohen seize their readers' minds with a cogent, compassionate, and otherworldly understanding of the intricacies of living a life in music, and its accordant near-mystical ability to bring humanity as close as it can get to the divine. Such are Golabek's and Cohen's gifts that one can almost hear the music coming from the pages of The Children of Willisden Lane. I loved this book. It is a gift.
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