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An award-winning author makes her fiction debut with this coming-of-age story of three young black children set against the backdrop of the Atlanta child murders of 1979.
- Sales Rank: #581715 in Books
- Model: 923460
- Published on: 2003-08-01
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .63" w x 5.25" l, .45 pounds
- Binding: Paperback
- 272 pages
- ISBN13: 9780446690898
- Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
Based on the Atlanta child murders of 1979-1980, this wrenching debut novel is told from the perspective of three Atlanta fifth-graders living in the midst of the crisis. Tasha is a sweet, conflicted middle-class girl navigating the harsh social waters of her school. Rodney, "the weirdest boy in class," is an unpopular kid who feels both pushed and ignored by his perfectionist parents. Octavia is a whip-smart, confident social outcast who carefully notes that she lives "across the street" from the projects. Jones, who was a child herself in Atlanta in the late '70s and early '80s, weaves her tale with consummate ease, shifting from third to second to first person as she switches narrators. The details of the children's everyday life playground fights, school cafeteria breakfasts, candy store visits are convincingly presented and provide an emotional context for the murders. When classmates begin disappearing, we know that they, along with their peers, are not one-dimensional innocents. One night when Octavia sneaks a late-night look at the local news, she sees a now-missing classmate flash on the screen. "In the picture he looked like a regular boy from our class. He was by himself so you couldn't tell that he was shorter than most of them and just nicer and smarter than all of them put together. Kodak commercials say that a picture is worth a thousand words, but the one they showed of Rodney ain't worth more than three or four. Boy. Black. Dead." This strongly grounded tale hums with the rhythms of schoolyard life and proves Jones to be a powerful storyteller.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Narrated in succession by three extremely perceptive (though at times almost too precocious) fifth graders, this first novel engagingly conveys the paranoia and fear that dominated the African American community in Atlanta during the 1979 child murders, a time when almost two dozen black children were abducted and murdered, their corpses abandoned in the countryside. While the ending of the final section seems too pat (and this reviewer also wishes that the book had a better title), Jones is still able to capture what it feels like to be ten-that fascinating interstitial moment when one can be simultaneously torn between being savvy enough to know that all is not right with the world and devastated at not being invited to a popular classmate's sleepover. Jones is particularly good at portraying the day-to-day lives of these children-their often difficult home lives and their mundane but fascinating school experiences-although, as in many novels narrated by children, the adults don't come off very well. In style, tone, and approach, Jones's novel is reminiscent of another excellent realistic novel of African American social life, Thuliani Davis's 1959. For most public libraries, especially those with large African American collections.
Roger A. Berger, Everett Community Coll., WA
Copyright 2002 Reed Business Information, Inc.
From Booklist
Jones was a child in Atlanta during the summer of 1979 when 23 black children were abducted and murdered. In her novel, she evokes early adolescence and grade-school angst, against the backdrop of the constant fear of abduction. She focuses on children in a single class, building the tension at school and at home, as they suffer through the disappearance of two of their classmates. Tasha's father abandons plans to leave her mother for another woman and returns home to protect his children when the disappearances begin. Rodney, a lonely and dispirited boy who can't find a place for himself at school or at home, deliberately puts himself in the path of danger following a humiliation at school. Octavia's mother, fearful for her child, eventually sends her to live with her father in South Carolina against the girl's strong objections. Jones is as skillful at evoking the fear and anxiety of that horrendous summer as she is at recalling coming-of-age concerns about social cliques, self-identity, and family problems. REVWR
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
3 of 3 people found the following review helpful.
Emotional
By LOCKSIE
Tayari Jones tells the story through the eyes and ears of three children. Tasha, Rodney and Octavia are the fithgraders coming of age during the time of the Atlanta child murders. Each tell of the trials and tribulations at home, school and during their personal time. There is sadness, fear and tears especially when children they know start disapearing! It was fun to read what the children thought about their parents and teachers, it took me back to my own childhood. Octavia is my favorite out of the three. She seemed wise beyond her years. Tayari Jones did a great job but I felt the story could have gone on for a while longer. I got emotionally attached to the kids and wanted to know how their lives turn out. Over all this book was very good.
0 of 0 people found the following review helpful.
Four Stars
By Evelyn Peterson
Interesting writing
0 of 2 people found the following review helpful.
Leaving me wanting more
By A Customer
First let me say, I really enjoyed reading this book BUT it left me wanting to know what happened to the children/narrators. The book doesn't advance in time - it's just a snap shot of a brief period of time when the child murders are taking place. When the book ended, I was left wondering what happened to them, how did the murders affect them and their families, were they changed in any way. Without that something extra, I put the book down feeling a little cheated.
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