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From "the poet laureate of the D.C. crime world" ("Esquire") comes this powerful early novel, now available in paperback for the first time--the noirish story of how a Washington, D.C., liquor store heist shows a drifter named Constantine what it means to be a shoedog. Martin's Press.
- Sales Rank: #1910574 in Books
- Brand: Grand Central Publishing
- Published on: 2004-09-01
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .75" w x 4.25" l, .32 pounds
- Binding: Mass Market Paperback
- 304 pages
- Great product!
From Publishers Weekly
Sixty years ago, in The Postman Always Rings Twice , James M. Cain established the drifter as a dark knight of American crime fiction. Pelecanos ( Nick's Trip ) continues that tradition here, following Constantine, an enigmatic wanderer who falls into a den of thieves and disproves the adage that there's no honor among them. Hitchhiking south from Maryland to nowhere, Constantine takes a lift from an old man who stops at a country mansion to get some money. There Grimes, an equally old but wealthy man who organizes heists as a hobby, invites the pair to help rob two D.C. liquor stores. Swayed by "the Beat" ("the Beat was knowing that he was into something wrong, and the fear of it, and the point when the fear was no longer there. It was a hot buzz . . ."), Constantine signs on as a driver. He and his colleagues, who are all being blackmailed by Grimes, drink, plan and pick up women, with Constantine dangerously zeroing in on Grimes's young lover ("there was a freshness in her like newly printed money"). The robberies themselves, marred by a doublecross, go down fast and bad, leading Constantine to avenge his fallen partners by taking justice into his own hands. All sinners, none saints, the small-time hoods in this authentic world are crisply limned here in their fallible humanity.
Copyright 1994 Reed Business Information, Inc.
From Booklist
Constantine is a burned-out, jive-loving, booze-guzzling, sex-junkie, chain-smoking, longhaired druggie loner who's searching for something he'll never find. Leaving his Washington, D.C., home at age 17, Constantine has circled the globe, traveling light, sleeping in fleabags and flophouses, working every kind of odd job from slinging hash to cleaning toilets. Back in the U.S. after years of roaming, Constantine hitches a ride with Polk, an old geezer headed for Florida. But there's one stop Polk needs to make, and it turns out to be a stop that changes Constantine's life forever. Grimes, an old army buddy of Polk's, offers the two men big bucks if they'll rob a liquor store--an easy, quick, in-and-out holdup. But things go badly wrong, and in the aftermath of the violence come tragedy and death. In the best tradition of hard-boiled fiction, Pelecanos' haunting, gritty story works its way deep into his readers' collective psyches, simultaneously shocking, attracting, and repelling us with its unvarnished, unbeautiful realism and its explosive, stomach-churning violence. An exceptional, memorable book from a fine writer who is also the author of the equally impressive Nick Stefanos series, which includes Nick's Trip. Emily Melton
From Kirkus Reviews
Constantine, a drifter who's been too many places to care about anything that won't fit into his backpack, hitches a ride into trouble when Polk, the old man who picks him up outside DC, stops off, and gets turned down, for the $20,000 in dirty money his Korean War buddy Grimes owes him. Instead, Grimes enlists Polk and Constantine for another score: a pair of liquor-store heists that'll bring in enough for all three of them and the five other guys on the job. Within the hour, Constantine has casually seduced Grimes's classy girlfriend, Delia, and you probably don't need to finish this sentence. Don't skip a page of the book, though, or you'll miss a canny portrait of the shoe salesman (a stripped-down echo of Nick Stefanos in A Firing Offense, 1992, and Nick's Trip, 1993) who teaches Constantine about Life, or a late-blooming noir retrospect that's so dead-eyed that the sentiment takes on a comic edge. More fun than a Late Show marathon--starting with The Asphalt Jungle. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
13 of 14 people found the following review helpful.
Noir in DC
By A. Ross
Pelecanos takes a break from the Nick Stefanos series to tell the noir tale of a drifter who, while simply hitching a ride south, gets caught up in shady dealings with deadly consequences. The protagonist, Constantine, is extremely similar to Pelecanos' Nick Stefanos (and even spends a night in Stefanos' bar) he's a loner, able to hold his own, at home with the underbelly of society and a keen sense of what is right and wrong. He gets caught up in with some petty criminals and their controlling boss and ends up in a sticky situation. As usual, Pelecanos uses Washington DC and environs as a backdrop for this gritty little tale.
7 of 7 people found the following review helpful.
an early caper, worth the read
By Simon Crowe
SHOEDOG is an early work by George Pelecanos, which I recently read for the first time when it was reissued in paperback. The plot involves a drifter named Constantine who stumbles into a half-baked liquor store robbery run for no good reason by a man named Grimes. There's really no reason Constantine can't leave at any time except for his attraction to Grimes' girlfriend.
All of the Pelecanos trademarks are here - Washington, DC....old soul music....drug use described into detail, etc. While I enjoyed SHOEDOG, it lacks the thematic richness of some Pelecanos' Derek Strange books and the conclusion was somewhat unsatisfying....All of the characters, except Constantine, are pretty one-dimensional....
If you've read Pelecanos' other books this will be a fun diversion, but RIGHT AS RAIN might be a better place to start for the novice.....
2 of 2 people found the following review helpful.
Gritty, violent pulp fiction
By Ripple
A gritty, violent pulp fiction about a loner-drifter who gets involved in a liquor store heist that doesn't go according to plan from one of the writing team of TV hit, The Wire: The Complete Series.
If you ever find yourself as a character in a work of fiction, it's probably best to avoid hitchhikers. The chances are it's going to turn out very badly for either the driver or the hitchhiker - or both. Constantine is a denim-clad, Marlboro-smoking, drifter and loner with a strong sense of right and wrong who has just returned from a period of travelling around the world and is heading south back home in the US when he is picked up by a man named Polk, driving a muscle car. So what could possibly go wrong?
Certainly it has all the essential ingredients of a classic piece of US crime writing. It's gritty and violent and is set in a world of fast cars, seedy bars and loser-criminals. When Polk tells Constantine that he has to make a short stop in Washington DC, coincidentally where Constantine was brought up, it's no surprise to find that the two become involved in a planned liquor store heist. The criminal gang seem to be more willing than I might have thought to bring the stranger, Constantine, into their confidence giving him a role as one of the two drivers, along with the eponymous Shoedog, a shoe shop salesman named Randolph, with whom Constantine also bonds quickly. For obvious reasons, I don't want to say much more about the plot, but suffice to say that things don't always go as planned.
While Constantine's character has both depth and back story, the rest of the players in this story are much less vividly drawn and, apart from the entertaining Shoedog, are pretty cliche stereotypes. But this isn't about characterisation, it's about plot and action. And Pelecanos is adept at developing the style of the book as the story gains pace towards its conclusion. As you might expect from a writer that was to become involved with The Wire, he is particularly attuned to authentic dialogue of the streets. He also gives constant references to the soul funk music that is played in the various bars and cars along the way.
It's not the most original of plots, but it's well written and paced and there are some nice twists along the way. As an example of `pulp fiction', then it's certainly a very good one. But it's the journey rather than the plot destination that makes this an entertaining read.
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