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Mojo: Conjure Stories, by Nalo Hopkinson
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When enslaved people were brought from the western part of Africa to the Americas, they were forbidden to speak their native languages or practice their religions in the New World.
- Sales Rank: #1168860 in Books
- Published on: 2003-04-01
- Original language: English
- Number of items: 1
- Dimensions: 7.99" h x .79" w x 5.00" l, .64 pounds
- Binding: Paperback
- 352 pages
- ISBN13: 9780446679299
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Amazon.com Review
Many Americans know "mojo" is Southern slang for powerful magic. But few Americans know the word originated in West Africa and referred to a small cloth bag containing protective magicks. The origin of mojo is as obscure to Americans as the religious, spiritual, and magical beliefs of Africa, which are far less familiar than the religions and myths of Europe and Asia. Acclaimed author/editor Nalo Hopkinson addresses this imbalance with her anthology Mojo: Conjure Stories, which collects 19 original stories of magic and gods and mortals, set in locales that range from a pre-Civil War plantation to modern Oakland, from Nineteenth-Century England to underground New York City.
Contributors range from big names like Steven Barnes, Neil Gaiman, and Barbara Hambly to exciting new authors (however, editor Hopkinson unfortunately does not contribute a story). The anthology avoids such inaccurate, offensive Hollywood stereotypes as the pin-stuck "voodoo doll," and the overall quality is very high, with a few weak tales offset by the far more numerous excellent stories. Among the best works are Sheree Renee Thomas's poetic myth "How Sukie Cross De Big Wata"; Marcia Douglas's lyrical "Notes from a Writer's Book of Cures and Spells," the best story about the writing process since Jaime Hernandez's "How to Kill A" (Love & Rockets); and "The Tawny Bitch," Nisi Shawl's classically gothic tale of a wealthy, quadroon British heiress held captive by a greedy, lustful relative.
The anthology opens with a brief but informative editor's note from Nalo Hopkinson and an evocative introduction by Luisah Teish, priestess of the Ifa/Orisha tradition and author of several books, including the spiritual classic Jambalaya: The Natural Woman's Book of Personal Charms and Practical Rituals. --Cynthia Ward
From Publishers Weekly
The 19 stories in this all-original anthology, edited by the author of Skin Folk, skillfully blend West African magic, fantasy and horror, along with plain old-fashioned readability. Some deal with familiar aspects of that magic in unfamiliar ways, such as the zombies of Steven Barnes's "Heartspace" and Neil Gaiman's "Bitter Grounds." Others explore social issues, like Tananarive Due's disturbing "Trial Day," which highlights injustice against African-Americans during the 1920s. "The Prowl" (Gregory Frost), "The Horsemen and the Morning Star" (Barbara Hambly) and "How Sukie Cross de Big Wata" (Sheree Renée Thomas) offer grim views of slavery days. Marcia Douglas's somewhat tongue-in-cheek "Notes from a Writer's Book of Cures and Spells" amuses more than it unsettles. A.M. Dellamonica applies magic to food in "Cooking Creole," while Barth Anderson's "Lark till Dawn, Princess" takes place on the drag queen circuit with an assist from a magical Elvis impersonator. Since some authors develop their themes or handle dialect better than others, the mojo level varies from story to story. Luisah Teish (Jambalaya: The Natural Woman's Book of Personal Charms and Practical Rituals) provides an introduction.
Copyright 2003 Reed Business Information, Inc.
From Booklist
Mojo, a West African term that originally referred to a cloth bag with magical contents, now refers to magic itself and the magical heritage of African cultures. In these 19 original stories, contributors give voice to the tradition of supernatural powers able to exact revenge, justice, or simple relief in the lives of Africans in the diaspora. The contributors include Tananarive Due, Neil Gaiman, Barbara Hambly, and Steven Barnes, with tales from Africa and the American South. A shape changer onboard a slave ship wreaks havoc with the ship's crew and later the slave masters. A mother who knows her child isn't destined to stay with her long evokes a trickster to try to save his life. A young girl with special powers searches to release her father from her stepmother's spell, freeing him to help her beloved brother, who is headed for a courtroom lynching in a Klan-dominated town. The settings vary from slavery to the present day, rural to urban, but the underlying theme conveys the power and endurance of African folkways and belief in conjure. Vanessa Bush
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
2 of 2 people found the following review helpful.
VERY ENJOYABLE
By A Customer
This book is really cool! I'm a huge fan of Neil Gaimen, so I'll buy anything with him in it. Tananarive Due's story rocked! And so did Barbara Hambly's! Asuquo, the story by a lesser known author named Nnedima Okorafor was very strange, but in a really good way. A very odd story. I'm glad to see that there are African writers writing about this sort of thing, too.
6 of 6 people found the following review helpful.
Reader, Be Aware!
By Mocha Girl
The introduction of Mojo: Conjure Stories warns the reader to beware, to adorn their protective beads, to pocket their jujubags and sets the stage for the mystical anthology contained therein. The novel, edited by Nalo Hopkinson, is comprised of nineteen short stories from noteworthy authors such as Steven Barnes, Tananarive Due, and Barbara Hambly. All tales are colorful, creative, and rooted in "mojo" - a tricky, powerful, and dangerous magic with a West African flavor.
This is a diverse collection in that it traverses time to provide stories from the slave ships, the antebellum South, the Jim Crow era, the 1960's and even present day. Some stories are rooted in folklore, e.g. Andy Duncan's "Daddy Mention and the Monday Skull", while others address moral and societal issues such as incest, revenge, love, lust, and greed. One of my favorites is Barbara Hambly's "The Horsemen and The Morning Star" in which plantation slaves garner strength and call upon their ancestor's gods to ride their weary backs to fight the master's resurrection of the devil to save one of their own. Jarla Tangh's "The Skinned" references the recent Rowandan tragedy and delivers a powerful message against the backdrop of the modern American inner city. Another noteworthy mention is Jenise Aminoff's "Fate" in which a mother with the gift of sight tries desperately to alter her son's destiny and pays a high price in the end.
This reviewer found some stories a bit more challenging to follow than others, but believes there is enough variety in subject matter and writing style to satisfy even the most critical reader. This book covered multiple dimensions of conjuring: from using black magic to control spirits, outwitting the tricksters, initiating curses, belief in shape-shifting to the making and manipulation of zombies. It was an engaging and interesting read about a mystical and magical heritage. One can surely gain hours of reading pleasure with this book.
Phyllis
APOOO BookClub
2 of 2 people found the following review helpful.
Tasteful Tales of Terror
By The RAWSISTAZ Reviewers
Hopkins tastefully begins this consortium of tales by defining and distinguishing between religion and magic. She explains that "religion is an institutionalized system of spiritual beliefs...magic is the practice of altering the fated progression of events to suit one's desires." She then reminds us that magic is dangerous, and the ensuing stories support her statement.
From the Plateye, mischievous ghost who roam the earth changing shape and identity for deadly self-serving purposes, to the mysterious Udu pots that preserve, and don't forget Uncle Monday who steals souls...or Anansi, a trickster god disguised as an eight legged, wrinkled face spider, these conjured anomalies float through the pages of Mojo to form exquisite stories of characters performing self-serving magic. This anthology mixes modern fantasy with magic folklore and voodoo curses, the result being eerie and mysterious tales that spread your imagination and prickle the back of your neck.
Hopkins assembled an impressive reticulation of great writers. Steven Barnes, Tananarive Due, Barbara Hambly, and Marcia Douglas are just a few of the talented contributors. Barth Anderson's "Lark Till Dawn Princess" was the most intriguing to me. It was more mystery than mojo, and told of singing & performances in the alternative drag queen world. You'll love the point of view. Gregory Frost's "The Prowl" was among the cleverest because it is an explosive snatch of black history spun on vengeance. Denise Aminoff had the most daring and disturbing story. It reminded me of an early episode of the X-files.
If you enjoy the unknown, the far-reaching, and don't mind stretching beyond the familiar parameters of belief, you'll enjoy these conjure stories.
Reviewed by KaTrina Love (MissLove)
The RAWSISTAZ Reviewers
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